![]() ![]() Flower Travellin' Band in 1970, on their album Anywhere."Black Sabbath" has been covered by the following bands: The video was filmed in a studio with a village on the foreground. If EMF was going to take our beloved signal, they were going to have to endure Satan first." Music video Ī music video was made for the song, as part of the band's 1970 performance on the German show Beat-Club. According to longtime WAAF host Mistress Carrie, the song was chosen because "the album came out weeks before we signed on the air, and Ozzy released a new album the day we signed off, and is the only artist to stay current for all 50 years of our history, and well. "Black Sabbath" was the final song played by Boston rock radio station WAAF on 22 February 2020, its final day of broadcasting. In 2020, Kerrang! ranked the song number one on their list of the 20 greatest Black Sabbath songs, and in 2021, Louder Sound ranked the song number three on their list of the 40 greatest Black Sabbath songs. ![]() It was ranked the best song in Black Sabbath's Ozzy Osbourne-era discography by Loudwire. "Black Sabbath" was ranked the second-best Black Sabbath song by Rock - Das Gesamtwerk der größten Rock-Acts im Check. The main riff of "Black Sabbath" is one of the most famous examples of harmonic progressions with the tritone G-C ♯: Inspired, guitarist Tony Iommi returned the next day with the famously dark tritone. The riff was created when bassist Geezer Butler began playing a fragment of "Mars" from Gustav Holst's The Planets suite. The song "Black Sabbath" was one of the earliest examples in heavy metal to make use of this interval, and since then, the genre has made extensive use of diabolus in musica. This particular interval is often known as diabolus in musica, for it has musical qualities which are often used to suggest Satanic connotations in Western music. The main riff is an inversion of a tritone, constructed with a harmonic progression including a diminished fifth / augmented fourth. It's one of the band's most frequently performed tracks, being featured on every single tour of their career.ĪllMusic's Steve Huey said the song is an example wherein Black Sabbath appropriated the blue note from the standard pentatonic blues scale and developed a heavy metal riff. The guitar and bass are tuned down one whole step, resulting in the key position of A being played on the fretboard, but having the pitch as G (octave - D flat) to the listener. The song has an extra verse with additional vocals before the bridge. A version of this song from Black Sabbath's first demo exists on the Ozzy Osbourne compilation album The Ozzman Cometh. ![]()
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